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Album Release: Marie Davidson – Working Class Woman

Marie Davidson‘s new album turns the mirror on herself. Working Class Woman – released October 5 on Ninja Tune – is the Montreal-based producer’s fourth and most self reflective record: it’s a document of her state of mind, of operating within the spheres of dance music and club culture. Drawing on those experiences, as well as an array of writers, thinkers and filmmakers who’ve influenced her, Davidson’s response to such difficult moments is to explore her own reaction to them and poke fun. 

“It comes from my brain, through my own experiences; the suffering and the humour, the fun and the darkness to be Marie Davidson.” It’s an honest document of where she currently stands. As she puts it, “It’s an egotistical album – and I’m okay with that.”

The first single from the record, So Right’ comes backed by a John Talabot remix, where he slows down the momentum, creating a mellow pace guided a languorous bass line, as well as an extended club version.

The sound of Working Class Woman is more direct than any of her previous outings. She still mines the same influences, from Italo Disco, to proto-industrial and electro, but leadens them with a gut-punching weight, making for a record that’s more visceral than any she’s released before. Industrial heaviness is balanced by Davidson’s spoken text – rather than spoken word, which she sees as a distinct tradition – dark, textured soundscapes are counter-weighted by statements that carry a more darkly humorous edge than before, making observations on both aspects of club culture as well as more oblique critiques of the modern world. 

Building on the dance floor-minded trajectory charted by her previous record Adieux Au Dancefloor (Citirax / Minimal Wave), which drew praise from the likes of Pitchfork (“A project that indicates exciting and near-exponential growth in her ability as a writer and producer“), The FADER and Resident Advisor and opened up her sound to a new, wider audience, earning support from peers such as Nina Kravis and Jessy Lanza. The record is informed by a career which has spanned an ambient influenced album as Les Momies De Palerme for Montreal’s Constellation label; her synth-disco styled duo DKMD with David Kristian; and Essaie Pas, signed to DFA Records, and with whom she’s shaped minimal synth and “cyberpunk cold wave” (The Guardian) sounds into a fresh mould, in partnership with husband and collaborator Pierre Guerineau.

A self-confessed ‘workaholic’, the record can also be seen as a response to touring, which had taken up the best part of her last year, and is something she’s found both enriching and draining. Both under her own name, and as Essaie Pas her stops have included Sonar Festival – where she performed her Bullshit Threshold show, combining performance, spoken text, video projections and analogue hardware – Primavera, Dekmantel and MUTEK in recent times. On the one hand, her live set is a creative endeavor that feeds back into her music. Playing, and travelling, on her own – which means marshaling a table of gear including sequencers, synths and a mic for her to sing and talk into (as well as transporting them between each of her shows) – allows her to improvise and play each set in a different way to the last. But at the same time, it requires her to project a personal: a demand that can become dispiriting.

Part of her response to these difficult scenarios is to turn to writers whose work offers guidance or inspiration. Recently, this has meant the likes of psychologist Alice Miller, physician Gabor Matéand filmmaker Alejandro Jodorowsky (in particular, his book Psychomagic). She’s always reached outward for the diverse influences that have informed her music, touching on big concepts and musical touchstones alike. Bit it’s with this release that she’s applied the same degree of focus to herself. the album is the product of a personal process: she looks inward to project a more expansive vision to the world.

Marie Davidson
Working Class Woman

1. Your Biggest Fan
2. Work It
3. The Psychologist
4. Lara
5. Day Dreaming
6. The Tunnel
7. Workaholic Paranoid Bitch
8. So Right
9. Burn Me
10. La chambre intérieure






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