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:: Meek’s Cutoff

If you’re a fan of director, Kelly Reichardt then you are sure to love her new offering Meek’s Cutoff. But like her past work it is hard to see Meek’s Cutoff being lapped up by the popcorn set, instead this is a movie for the film-connoisseur, and one that will be well-loved by those who consider themselves at Reichardt fan.

Meek’s Cutoff is set in Oregon in 1845 as a group of settlers make their away across the country in order to stake a ‘claim’. The group which is made up of Soloman Tetherow (Will Patton), his wife, Emily (Michelle Williams) as well as the Gately Family and the White Family is being led by Stephen Meek (Bruce Greenwood) who is supposed to be a great tracker, but seems to have got the group lost. The racist Meek then takes an Indian (Rod Rondeaux) captive which divides the group.

Reichardt once again uses her familiar style of ‘very little dialogue but brilliant cinematography’ to get the very important message held in Meek’s Cutoff across to her audience, and this is one film that is really enhanced by her ‘slow-moving’ style. The opening scenes of a wagon crossing a river a brilliant, and only goes to show just how good Reichardt is as a director.

Reichardt’s skills are only enhanced by a terrific script by Jonathan Raymond. If the rumours that Raymond uses a metaphor of George Bush vs. Barack Obama are true then he is a screenwriting genius… if they aren’t true then he can simply rest on the laurels of the fact that he has created an amazing film that once again gives actress, Michelle Williams a chance to show off her brilliant skills. Any of the scenes that she does here with Bruce Greenwood are truly sensational.

Meek’s Cutoff shows that are still some creative films that can surface from the U.S. and only proves the fact that Kelly Reichardt is one of the most important filmmakers of our generation.