All things considered, Get Smart is not bad, but I remain of the view that the brand should be left as an untouchable when it comes to remakes or reinterpretations.

…Ten Empty is a distressing and sad film to watch. Co-writer/director Anthony Hayes sets up tense altercations for his actors, and captures the carnage in several scenes that are held in a single frame, not flinching from the conflict before him.

Since Hancock does not play slave to a source material, it does not come off as generic. The only film which comes close to matching its concepts would be the excellent animated film The Incredibles. Yet while its script may be shaky – especially with its talk of Gods walking amongst men – the films performances and Berg’s spirited direction make up for whatever flaws are present.

Ledger’s portrayal of the infamous comic book villain has less to do with the glorious pomp and theatrics of Jack Nicholson’s Joker, and everything to do with anarchy, chaos, and destruction all done with a twisted smile on his face and sadistic menace in his black heart.

"It wasn’t hard in execution. We didn’t want to get into long tracks about specific issues of Australian immigration policy or how the sex trafficking works in Australia. They exist as a couple of threads in what is a much more complicated sort of fabric. I didn’t want to hit audiences over the head with political themes and ideas."