:: Default - Elocation

Default

2004 is steadily becoming the year of the singer/songwriter. Performers such as Jack Johnson, Norah Jones and John Mayer, are easily the biggest names in the current music climate, their inoffensive and relaxed styles have captured people by their millions. So where does a brash American rock band fit in this state of euphoric relaxation? Elocation, the second album from Default, is as the title suggests, ‘a removal from the usual place of residence’, ie prepare to be rocked out of your compliancy! (Taking My) Life Away, the first single from the new album, is the first stepping stone across this river of rock. It’s best described as soft-rock persuasion, a gentle reminder of why rock ballads are so popular. The song feels massive, if not epic, Dallas Smith’s raspy and weatherworn vocals, backed by guitars and drums that ebb and flow in all the right places. But don’t fear all you rock enthusiasts out there, it’s not all big blown out love song nonsense. Default are first and foremost a rock band, and like every good rock band, they have balanced well the heavy and light. Tracks such as Who Followed Who and Cruel are pure audio adrenalin, and seek to do nothing more than have you shake your mullet. For everything Default have done right, their only downfall is that they are a somewhat clone-ish. When listening to Elocation you could easily mistake the band for Creed, or Nickleback, or even 3 Doors Down. It’s an aspect of their style that will be more help than hindrance, as proven by all of the aforementioned. Default is therefore like a black dinner suit, no matter how many cuts and styles they’re made in they always remain a black suit. Despite the lack of individuality, a black suit remains both popular and a sure-fire seller.