But while the band look and sound great, and the audience are helping out at every opportunity, and the whole thing seems to give the impression that something truly special is taking place, I can’t help but feel that their overall performance is missing a bit of spark and imagination in terms of set list, and more than short on genuine surprise.

As the name suggests, ‘Caught In A Mosh: BBC Live In Concert’ is a double CD live compilation, with the two discs capturing two of the New York thrash act’s performances in the U.K. during their peak in 1987.

‘Bigger’ is probably the pick of the album as it is very catchy as a soft dance ballad.

…‘Hell Chose Me’ is not a classic, and not all of the songs really stand out in the mind long after they finish. But it sure as hell eclipses the standard laid down with their first two releases, and that’s probably more than enough to ensure Carnifex’s survival beyond their current release.

Charlotte's unique voice is showcased throughout and her captivating voice is as varied as the material and results in a generally cohesive collaboration.

Despite the long wait and false starts, Erika should be very pleased with this gently sweet pop flavour and it's artistic quality.

Genitorturers have certainly moved on from their early sound to incorporate a bit of everything on ‘Blackheart Revolution’. And while not everything here is an absolute winner, there’s more than enough to keep fans interested and coming back for more when they hit the tour trail in support.

The punchy authoritative sound will grab attention and I've said previously that the band aren't far away from a major step forward.

Ultraviolet certainly doesn’t lack in personality. Kid Sister is still evolving as an artist and we should be prepared to exercise some slack in summarising the merits, or otherwise, of this album.

But the biggest problem here is the songs. There’s no denying that every one of the four tracks have some interesting moments, but not a single one seems to flow in a natural manner, nor impress in the song writing sense. The guitarists churn out some great riffs, and the drums are pummelling throughout, and Smith’s vocals boast enough growl to keep the aggression flowing. But inevitably it all amounts to nothing when nothing within the songs stands out as memorable in any shape or form.

There are occasions where her vocal talent is slightly let down by the musical compositions and which mark down the album a little. But there's enough promise here to carry her through the hype. Marina is a unique performer who is determined to set her own agenda and, accordingly, attracts great appeal.

They haven’t progressed forward but they haven’t gone backward either, they just seem to be sitting somewhere in the middle. Don’t get me wrong, the band’s latest album is very much Midlake with their typical warm electro-acoustic sounds but in comparison to their previous effort, this one just feels flat and empty.

Live, I have no doubt that Omega Crom absolutely slay. But on the evidence of ‘Blood , Steel & Fire’, it’s clear that the band need a little more song writing experience, and for Ketlo to develop some restraint and control on the vocal front.

Despite a couple of tracks that aren’t quite up to the mark, ‘Ironbound’ is a huge step up from anything Overkill have released in a long time, and an album that’s sure to keep the green and black brigade coming out in their droves when Overkill take to touring off the back of the album for the next couple of years.

Very instant with a touch of glam amid the pop vibe, it showcases a burst of anthemic instinct that augers well as the new album approaches release.

This single is a good taste of what's to come as they have the ability to diversify their sound…

My impression is one of a very tight unit that delivers serene folk music of high order. The Tealeaves play music that warms you up. Their songs are generated in the vein of meticulous songwriting with glorious harmonies and honest, sweet pop.

You'll hear a maze of synths, drums and strings amongst the darkness and it could leave you a little depressed to be honest.

Wild Summer '10 features the mixing exploits of two wild and charismatic Australian personalities DJ Gemstar & MC Lady Lauryn. It's another brilliant compilation by the team at WILD which have served up fantastic collections over several years